En 1980, Robert Smith invente des textures inouïes qui posent les bases du son de The Cure, amniotique et délétère, sur un disque aujourd’hui encore bouleversant.
You are being forwarded to Les Inrocks in a few seconds. Renegade Enterprises is a news aggregator — we credit, link, and attribute every story to its original publisher. If you are the rights holder and want this link removed, use our DMCA process.