For Oscar-winning VFX supervisor Paul Lambert Lambert, of all the huge challenges presented by Ryan Gosling space epic “Project Hail Mary,” the most daunting was creating convincing zero gravity. “Zero-G was probably my
You are being forwarded to Variety in a few seconds. Renegade Enterprises is a news aggregator — we credit, link, and attribute every story to its original publisher. If you are the rights holder and want this link removed, use our DMCA process.